Nadja Verena Marcin

Education

MFA, Visual Arts, Columbia University, New York, USA, 2010
Independent Studies with John Bock, Berlin, Germany, 2009
Diploma with honors, Visual Arts, Academy of Fine Arts, Münster, Germany, 2007

Solo Exhibitions = S | Performances = P | Screenings = Scr

2018

OPHELIA, Minnesota Street Project, San Francisco, USA, curated by Amy Kisch (S – upcoming)
OPHELIA, Nube Gallery, Santa Cruz, Bolivia (S – upcoming)
OPHELIA, Museum Schauwerk, Sindelfingen, Germany (S – upcoming)
OPHELIA, Moltkerei, Cologne, Germany (S – upcoming)
OPHELIA, AlbumArte Gallery, Rome, Italy, curated by Giulia Casalini (S – upcoming)

2017

OPHELIA, CONTEXT Art Miami, 532 Gallery Thomas Jaeckel, Miami, USA (S – upcoming)
YES: Rachelle Beaudoin / Nadja Verena Marcin, Microscope Gallery, Brooklyn, USA (2 Scr – upcoming)

2016

Cinema Pirata, Soho20 Gallery, Brooklyn, USA, in collaboration with the architect Terrence Schroeder, curated by Rachel Vera Steinberg (S)

2015

01111010 01100101 01110010 01101111 01100111 01110010 01100001 01110110 01101001 01110100 01111001, Esther Donatz Gallery, Munich, Germany (S)

2014

La Mujer, GOETHE Center, Santa Cruz, Bolivia (P)
Zero Gravity, Kunstverein Unna, Unna, Germany (S)

2013

Zero Gravity, 532 Gallery Thomas Jaeckel, New York, USA (S)
Award for Art and Language, Kulturstiftung Sparkasse UnnaKamen, Unna, Germany (S)

2012

Premiere of //KIDS//, ZKM- Center for Art and Media, Karlsruhe, Germany, curated by Peter Weibel (Scr)
Action Manual Vol. I, Dortmunder Kunstverein, Dortmund, Germany, curated by Sandra Dichtl (S)
Action Manual Vol. II, Orangerie at Schloss Rheda and Werkstatt Bleichhäuschen, Rheda Wiedenbrück, Germany, curated by Melanie Körkemeier (S)
Reise nach Ägypten, Collaboration between Skulpturenmuseum Glaskasten, Werkstatt Bleichhäuschen, Dortmunder Kunstverein, Marl, Rheda Wiedenbrück, Dortmund, Germany (P)
King Kong Theory, as part of ‘Stage the world- perform the floor’, Momentum, Berlin, Germany (P)

2011

The-Solo-Project, Jens Fehring Gallery, Basel, Switzerland (S)
Lost in translation, Jens Fehring Gallery, Frankfurt, Germany (S)

2009

Confessions of a Donkey, Kunstverein Dorsten, Germany, curated by Greta Gesenberg (S)

2008

Loss of hearing, G727 Gallery, Los Angeles, USA, curated by Francisco Marcial (S)

2007

As in sciencefiction, Gallery of the Academy of Fine Arts, Münster, Germany (S)
Germanias Next Topmösen, Auguststrasse, Berlin, Germany (P)

2006

Lend me your Doberman, Gallery Kapinos, Berlin, Germany, curated by Greta Gesenberg (S)
Miss Ion Troja X, Cuba Cultur e.v., Münster, Germany, curated by Andreas Weber (S)

2005

Suess/Sauer angemacht, Büro fuer Alleskönnerei, Gütersloh, Germany, curated by Oliver Lang (2S)
To preview, 3. Emsdettener Kuratorenworkshop, Gallery Münsterland, Emsdetten, Germany (S)

2004

Zissin – eine Katze die Mensch werden will, SOX 36, Berlin, Germany (P)
Zissin – eine Katze die Mensch werden will, as part of ‘Art in Contact I- Bauhaus goes SO36’, Künstlerhaus Bethanien, Berlin, Germany (S)

Group Exhibitions = G | Performances = P | Screenings = Scr

2018

OPHELIA, New Ear Festival, Fridman Gallery, New York, USA (P – upcoming)
Der Stinknormale Mann, Motorenhalle, Dresden, Germany, curated by Sophia and Franziska Hoffmann (Scr – upcoming)

2017

YES: Art Auction and Exhibition Reception, Baxter Street, New York, USA, curated by Wendy Vogel (G - upcoming)
Space Odyssey – beyond Material Confinements, Radiator Gallery, Brooklyn, USA (G - upcoming)
Aesthetica Art Prize, York Art Gallery, Great Britain (G)
Todos los ojos en Bolivia, Museo National de Arte, La Paz, Bolivia, curated by Rodrigo Rada (G)
Todos los ojos en Bolivia, Palacio Portales Cochabamba, Bolivia, curated by Rodrigo Rada (G)
Greatest Love of All - Whitney Houston Biennial, chashama at XOCO, New York, USA, curated by Christine Finley (G)
Contribution to 'Meaning and Difference’ by Darren Bader, The Power Station, Dallas, USA (G)
Winter Salon, 532 Gallery Thomas Jaeckel, New York, USA (G)
Contemporary Art Show, Denver, USA, curated by Annabelle Rinehart & Edee Anesi (G)
Small Works, Trestle Gallery, Brooklyn, USA, curated by Bill Carroll (G)
EFA's 25th Anniversary Online Art Auction and Exhibition Reception, Elizabeth Foundation for the Arts, New York, USA (G)
GlobalDraw Project, ECI Cultuurfabriek, Roermond, Netherlands, curated by Zinze Siegerink (G)
HOT TOPIX, Brooklyn Dirty Book Fair, Point Green Studios, Brooklyn, USA, curated by Michael Thomas Vassallo (Scr)
The Border Pavilion at The Research Pavilion, Venice, Italy, curated by Raul Zamudio (Scr)

2016

Deep Inside - 5th Moscow International Biennale for Young Art, Trekhgornaya Manufactory, Moscow, Russia, curated by Nadim Samman (G)
Video Shop, NADA New York art fair, New York, USA, organized by Kunstraum (G)
Così fan tutte, ossia la scuola degli amanti (Thus Do They All, or The School for Lovers), Biblioteca Civica del Comune di Verona (Veneto Videoart Archive headquarters), Verona, Italy, curated by Giulia Casalini (G)
4th Festival de Cimientos, Centro Patino, Cochabamba, Bolivia, curated by Rodrigo Rada and Alejandra Dorado (G)
Transmission, Bagkeion building, in context of the Athens Biennale, Athens, Greece (G)
Embrace, Kunstraum, Brooklyn, USA, curated by Jessica Holburn (G)

2015

Le Fruit Defendu, Galerie du Beffroi, Namur, Belgium, curated by Guy Malevez (G)
GlobalDraw Project, Oude Stadtsgalerij, Heerlen, Netherlands curated by Zinze Siegerink (G)
Call of the Wild: Pioneers, Rebels and Heroines, Vox Populi, Philadelphia, USA, curated by Katya Grokhovsky (G)
Narcissist Ball: In the garden of early delights, BOFFO & Paddle 8, New York, USA (G)
Festarte Videoart Festival, space ON ART, Rome, Italy (Scr)

2014

The Last Brucennial, 837 Washington St, New York, USA, curated by BHQFU & Julian Schnabel (G)
F E A R F U L A W E S O M E - Ecstasy, death and rebirth of a male painter, TEMP Art Space, New York, USA, curated by SANE (G)
DEW21 Kunstpreis, Museum für Kunst und Kulturgeschichte, Dortmund, Germany (G)
BORG Biennale, Antwerp, Belgium (G)
Residency Presentation, Galeria KIOSKO, Santa Cruz, Bolivia (S)
VECTOR – Artist Journal Issue 3, Interstate Projects, New York, USA, curated by Peter Gregio (G)
Momenta Art Spring Benefit, Momenta Art, New York, USA (G)
Façade Video Festival, Plovdiv, Poland (Scr)
Beacons Video Festival, Yorkshire Dales, Great Britain (Scr)
Dirty Minds - Reading below the frame, Rooster Gallery, New York, USA, curated by Susanne Boswell (Scr)
Beacons Art Festival, Skipton, Great Britain (Scr)

2013

Middle Gate Geel 13, CC de Werft, Geel, Belgium, curated by Jan Hoet (G/P)
Coupe de Ville 2013, WARP, Sint Niklaas, Belgium, curated by Stef van Bellingen (G)
Volta 9, 532 Thomas Jaeckel Gallery, Basel, Switzerland (G)
Out of Blink, Sarah Crown Gallery, New York, USA, curated by Sarah Corona (G)
Peekskill Project V, Hudson Valley Contemporary Art Center, Peekskill, USA (G)
CONTEXT - Art Miami, 532 Thomas Jaeckel Gallery, Miami, USA (G)
Framing the Viewshed: Groundswell, Olana, Hudson, New York, USA, curated by Galen Joseph-Hunter and Mark Prezorski (P)
Eastern Standard: Indirect lines to the Hudson River School, Catskills, USA, curated by Kate Menconeri (G)
Into the Clove, Art Center, Prattsville, USA, curated by Nancy Barton (G)
Happiness Now!, Guest Projects, London, Great Britain, curated by Giulia Casalini and Diana Georgiou (Scr)
ONE, WirvonSSIIEE Project Space, Berlin, Germany, curated by Betty Bohm (G)
//KIDS//, 9th Int. Short Film Festival Detmold, Germany (Scr)
//KIDS//, Aesthetica, Film Festival, York, Great Britain (Scr)

2012

80wse presents…, 80wse Gallery/ NYU Steinhardt, New York, USA, curated by Michael Cohen (G)
TINA B. - The Prague Festival of Contemporary Art, Prague, Czech Republic (G)
Sarah Crown presents, Sarah Crown Gallery, New York, USA (G)
Art Wynwood, 532 Thomas Jaeckel Gallery, Miami, USA (G)
Spring Show, 532 Thomas Jaeckel Gallery, New York, USA (G)
Crimes of the future, Medical Office, Northside Festival, Brooklyn, USA (G)
2. Ruhrbiennale, Deutsche Bank, Duisburg, Germany, curated by Herbert Schero (G)
2. Ruhrbiennale, Altes Medizinisches Institut, Dortmund, curated by Herbert Schero, Germany (G)
Transformer, Art Center, Prattsville, curated by Nancy Barton, USA (G)
Crimes of the future, Medical Office, Northside festival, Brooklyn, New York (G) Staging the world - performing the floor, Momentum, Berlin, Germany (Scr)
AIVA Festival, Angelholm, Sweden, curated by Anders Weberg (Scr)
Façade Video Festival, Center for Contemporary Art, Plovdiv (Scr)
29. Kasseler Dokumentarfilm- und Videofest, Kassel, Germany (Scr)
Staging the world - performing the floor, Momentum, Berlin, Germany (Scr)

2011

The days of this society are numbered, Abrons Art Center, New York, USA, curated by Miguel Amado (G)
WE ARE: Live and let die, Nuture Art, Brooklyn, USA, curated by Guillermo Creus (G)
Queering Sex, Human Resources, Los Angeles, USA, curated by Sarvia Jasso and Kathryn Garcia (G)
The presence of..., Loop Videoart Fair, Barcelona, Spain, curated by Johnny Amore (G)
German Photography Now - Emotion, Drama and Narration in the stylistic variety, Jinsun Gallery, Seoul, Korea, curated by Sun Jung Kim (G)
ART EDITION, Jinsun Gallery, Jongnogu, Seoul, Korea (G)
EPAF European Performance Art Festival, Warsaw, Poland (Scr)
Artist/ Curator Panel, Christie‘s Education, New York, USA (Scr)
Performance Platform Lublin, Galeria Labirynth, Lublin, Poland (Scr)
Busan International Video Festival, Media Center, Busan, South Korea, curated by Seong Youn Kim (Scr)
Female Cut- made in U.S.A, US Embassy/ FestArt VideoArt Festival, Circolo degli Artisti, Rome, Italy, curated by Manuela Contino (Scr)
Artist Talk, Deutsche Boerse Residency, Kunstverein Frankfurt, Germany (Scr)

2010

'Qui Vive?' 2nd Moscow International Biennale for Young Art, Moscow Museum of Modern Art, Russia, curated by Karina Karaeva (G)
Short-term deviation, Elizabeth Foundation for the Arts, New York, USA, curated by Jie Liang Lin and Jesse Hlebo (G)
As you like it II, Heidi Cho Gallery, New York, USA (G)
US MFA@Bezalel, Bezalel Gallery, Bezalel Academy, Tel Aviv, Israel (G)
2010 MFA Exhibition, Fisher Landau Center for Art, New York, USA, curated by Anthony Huberman (G/P)
Taken as Given, Works from the Balcony- Project Space, Budapest, Hungary, curated by Ama Saru (G)
B-Sides, Kara Walker’s Project Space, New York, New York, USA, curated by Emma Balasc (G)
Exquisite Corpse, Second Floor, Brooklyn, USA, curated by Sarvia Jasso and Kathryn Garcia (G)
Collective Show, Participant Inc., New York, USA, curated by Sarvia Jasso and Kunstverein NY (Scr)
Uncontrollable Flesh, Berkeley Art Museum, Berkeley, USA, curated by Sarvia Jasso (Scr)
Performing Participation #1, Screening Lecture Performance, Public School, New York, USA, curated by Taeyoon Choi (Scr)
Salon, International Studies and Curatorial Program, Brooklyn, New York, USA (Scr)
Schräggradaus - 10 Jahre Filmklasse im Cineplex, Münster, Germany, curated by Andreas Köpnick (Scr)
Reenactment- Basic Offers, Stoffwechselbar, Essen, Germany (Scr)

2009

Monitoring, Fridericianum, 26th Dokfest Kassel, Germany (G)
Kaunas Biennale TEXTILE 09, Picture Gallery, National Museum, Kaunas, Lithuania, curated by Virginija Vitkiene (G)
MONA Collection, Kunsthalle Faust, Hannover, Germany, curated by Tomasz Wendland and Harro Faust (G)
Can’t rape the willing, Second Floor, New York, USA, curated by Sarvia Jasso (G)
I am my own private dancer, Gallery Jens Fehring, Frankfurt, Germany, curated by David Buob (G)
If I Was the Cousin of My Mother's Sister's Son, Gallery Bar, New York, USA, curated by Lukas Baden and Janet Oh (G)
Women’s Voices / Women’s Visions, St. Mark’s Church, New York, USA, curated by Dawn Chan (G)
PERFORM WILLIAMSBURG, Urban Art Projects, New York, USA, curated by Matthew Teti (Scr)
Crosstalk Video Art Festival, Budapest, Hungary (Scr)
INDISCIPLINES, Villa Arson, Nice, France (Scr)
Brooklyn is burning, Santos Party House, New York, USA, curated by Sarvia Jasso (Scr)
Brooklyn is burning, Imprenta, Los Angeles, USA, curated by Sarvia Jasso (Scr)

2008

Mediations Biennale, National Museum, Poznan, Poland, curated by Tomasz Wendland, Aurelia Mandziuk and Georg Elben (G)
Video Performance- Models of Self-Reflection, AZKM, Münster, Germany, curated by Georg Elben (G)
Chicago Artfair, Uschi Kolb Gallery, Chicago, USA, curated by Uschi Kolb (G)
European Attitude, Zendai MOMA, Shanghai, China, curated by Tomek Wendland and Harro Faust (G)
Aquartieramento, Domaquaree, Berlin, Germany, curated by Susanne Husse (G)
EJECT, Ex teresa arte actual, Mexico City, Mexico, curated by Pancho Lopez (Scr)
18th International Videofestival, Bochum, Germany (Scr)
Int. Video Art Festival, Athens, Greece (Scr)
Fifa, Festival de Film sur L’Art, Montreal, Canada (Scr)
Int. Festival of Cinema and Technology, Orlando, USA (Scr)
Videotheque Ephemere, 23rd New Media and Video Art Festival, Clermont Ferrant, France (Scr)
Screendance, Basel, Switzerland (Scr)
Festival der Nationen, Ebensee, Austria Scr)

2007

Videonale 11, Kunstmuseum, Bonn, Germany, curated by Georg Elben (G)
Volta Show '03, Art Agents Gallery, Basel, Switzerland (G)
Asian European Mediations, Kunsthalle Faust, Hannover, Germany, curated by Georg Elben and Harro Faust (G)
Asian European Mediations, Museum of Modern Art, Poznan, Poland, curated by Georg Elben and Tomek Wendland (G)
Shelf Life, Pawnshop Gallery, Los Angeles, USA, curated by Courtney Shermer (G)
Grosse Kunstausstellung, Haus der Kunst, Munich, Germany (G)
Liebe. Freiheit. Alles., Artist House Essen, Germany, curated by Daniele Buetti (G)
Blaue Nacht, Art Festival, Nürnberg, Germany (G)
Rundgang, Academy of Fine Arts Münster, Germany (G/P)
New Beijing International Film Festival, Bejjing, China (Scr)
Tirana International Film Festival, Albania (Scr)
Int. Festival of Cinema and Technology, Los Angeles, USA (Scr)
Weltentheater, Schlachthof, Karlsruhe, Germany, curated by Oliver Langewitz (Scr)
European Media Art Festival, Osnabrück, Germany (Scr)
Busho'07, Budapest Short Film Festival, Budapest, Hungary (Scr)

2006

Through the looking glass, Haus der Kunst, Munich, Germany (G)
Vorfahrt, Gallery Wolfgang Seitz, Stuttgart, Germany (G)
Stufo, European Media Art Festival, Osnabrück, Germany (G)
Jumpnights, Museum Ludwig, Cologne, Germany, curated by Georg Elben (Sc)
Rundgang, Academy of Fine Art, Münster, Germany (G/P)
Euroshorts, Film Festival, Danzig, Poland (Scr)
Student’s Forum, University of San Diego, USA (Scr)
Fish'06, Film Festival, Rostock, Germany (Scr)
Werkstatt für junge Filmer, Frankfurt, Deutschland (Scr)

2005

Videonale 10, Kunstmuseum, Bonn , Germany, curated by Georg Elben (G)
Stadt Kunst, Bonn, Germany, curated by Georg Elben (G)
Media Art Friesland, Academy of Pop Culture, Leeuwarden, Netherlands (Sc)
ADO Kunstpreis, Aschenbach, Germany (G)
Feldstärke, PACT Zollverein, Essen, Germany (G)
Stuttgart’s Filmwinter, Filmfestival, Stuttgart, Germany (Scr)
Cinema of Tomorrow- Filmtage Augsburg, Filmfestival, Augsburg, Germany (Scr)
International Videofestival, Bochum, Germany (Scr)
European Media Art Festival, Osnabrück, Germany (Scr)
Vienna Shorts, film festival, Vienna, Germany (Scr)
VideoSalons, Gallery Sign, Groningen, Netherlands (Scr)
Deutscher Jugendvideopreis, Bundesfestival Video, Film und Multimedia, Nürnberg, Germany (Scr)

2005

Co_op_ Film, Video, Künstlerhaus Dortmund, Germany, curated by Andreas Köpnick (G)
Art in Contact I- Bauhaus goes SO36, Gallery Glück 21, Berlin, Germany, curated by Elfi Fröhlich (G/P)
Art in Contact II- Bauhaus goes SO36, Berliner Kunstprojekt, Germany, curated by Elfi Fröhlich (G)
15th International Videofestival, Film Festival, Bochum, Germany (Scr)
Deutscher Jugendvideopreis, Bundesfestival Video, Film und Multimedia, Dresden, Germany (Scr)

Grants/ Prizes/ Scholarships/ Residencies

2017

The Growlery - Artist Residency, San Francisco, USA

2017

Seminar: Denniston Hill, Denniston Hill Residency, Glen Wild, USA
Wassaic Project, Residency, Wassaic, USA

2016

Franklin Furnace Funds for ‘Ophelia’, Franklin Furnace, New York, USA
Emergency Grant for ‘Cinema Pirata’, Foundation for Contemporary Arts, New York, USA
Art Fair Goers Award for Best Booth, Artspace, NADA Art Fair, New York, USA
Fiscal Sponsoring for ‘Pocahontas Returns’, New York Foundation for the Arts, Brooklyn, USA

2015

Fiscal Sponsoring for ‘Ophelia’, New York Foundation for the Arts, Brooklyn, USA

2014

Arbeitsstipendium, Stiftung Kunstfonds, Bonn, Germany
Residency, KIOSKO Galeria, Santa Cruz, Bolivia

2013

Production Grant, NRW Film- und Medienstiftung, Düsseldorf, Germany
Stipend for Artistic Research Abroad, Ministry of Culture NRW, Düsseldorf, Germany
Award for ‘Art and Language’, Kulturstiftung Sparkasse UnnaKamen, Unna, Germany

2012

Prattsville Artist residency, Art Center, Prattsville, USA
Grant for 'King Kong Theory', Puffin Foundation, Teaneck, USA
International Artist Village, WARP at C-Mine, Genk, Belgium

2011

DAAD Scholarship for Int. Research - New York, DAAD, Bonn, Germany
Stipend for Artistic Research Abroad, Ministry of Culture NRW, Düsseldorf, Germany
Deutsche Börse Residency Program, Frankfurter Kunstverein, Frankfurt, Germany

2010

International Studio & Curatorial Program (ISCP) Residency, New York, New York, USA
Stipend for Artistic Research Abroad/ ISCP, Ministry of Culture NRW, Düsseldorf, Germany
Project Fund, Art Student Council, School of the Arts, Columbia University, New York, USA
Artist Business Career Development Grant, Artworks International, New Mexico, USA

2009

Womens Voices, 1st Price, Musique a la Mode, New York, USA, juried by K.Brinson/ Guggenheim

2008

MFA Tuition Stipend, Collection Falckenberg, Hamburg, Germany
Merit Scholarship, Columbia University, New York, USA
Visual Arts Fellowship, Columbia University, New York, USA

2007

Fulbright Scholarship, Fulbright commission Berlin, Germany

2006

DAAD Freemover scholarship, DAAD, Bonn, Germany
HESGE- School of Art and Design, residency, Geneva, Switzerland

2005

Project Award, Friends of the Academy of Fine Arts, Münster, Germany

2004

Young Media Award for Losing Virginity, DJVF, Dresden, Germany

2003

DFJW scholarship, DFJW, German French Youth Organization, Paris, France
6 months student exchange program, Villa Arson, Nice, France

Collections

MONA Collection, public collection, National Museum, Poznan, Poland
Kunststiftung Sparkasse Unna, Unna, Germany
Private collector, Deutsche Bank, Essen, Germany
Several private collections: New York, New Jersey, Hudson, Athens, Berlin, Essen, Paris, Duisburg, Marl, Rheda-Wiedenbrück

Bibliography: Catalog (C), Booklet (B), Article (A)

2017

2017 Future Now – 100 Contemporary Artists From The Aesthetica Art Prize, York: Aesthetica Magazine Ltd, 2017 (C)
Priscilla Frank, “Feminist Artist’s How To Undress In Front Of Your Husband Skewers Retro Mansplaining”, New York: Huffington Post, 2017 (A)
Rachel Bishop, Sarah Francis, “Incredibly sexist 1930s reconstructions instruct women how to 'UNDRESS PROPERLY' for their husbands”, London: Mirror, 2017 (A)
Jillian Steinhauer, "The Greatest Biennial of All”, New York: Hyperallergic, 2017 (A)
Alana Martinez, “A Whitney Houston-Inspired Art Show Puts Women Center Stage”, New York: Observer, 2017 (A)
Sarah Cascone, “The All-Woman ‘Whitney Houston Biennial’ Is Back and Its No Joke”, New York: Artnet News, 2017 (A)
Tiffany Jow, “Who runs the world? The second Whitney, Houston Biennial offers an all-female spectacle”, New York: Wallpaper, 2017 (A)
Clementine de Pressigny, “the whitney houston biennial is real” New York: i-D, 2017 (A)
Beka Venezia, “How The Whitney Houston Biennale Helped to Push Feminist Art forward”, New York: Village Voice, 2017 (A)
Rachel Bishop, Sarah Francis, James Rodger, “These unbelievably sexist 1930s reconstructions show women how to 'UNDRESS PROPERLY' for their husbands”, Birmingham: Birmingham Mail, 2017 (A)
Rachel Bishop, “Incredibly sexist 1930s reconstructions instruct women how to 'UNDRESS PROPERLY' for their husbands”, New York: World News Live, 2017 (A)
Rachel Bishop, “Incredibly sexist 1930s reconstructions instruct women how to 'UNDRESS PROPERLY' for their husbands”, New York: Microsoft, 2017 (A)
“Meaning and Difference – A Project at the Powerstation by Darren Bader”, Dallas: Powerstation, 2017 (B)
„How to Undress in Front of Your Husband“, Blog: Gia on the Move, 2017 (A)

2016

Andrew Nunes, "A Sexist 1960s Film Remake Rewrites Cinema”, New York: VICE Creator's Project, 2016 (A)
Arielle Bier, “Young and the Restless”, Berlin: Artforum, 2016 (A)
Hettie Judah, “The 5th Moscow Biennale for Young Art Signals Millennials’ Deepest Anxieties - The fears are not generation-specific but this expression of them is.“, London: artnet News, 2016 (A)
Nadim Samman, “5th Moscow International Biennale for Young Art”, Moscow: Moscow Museum of Modern Art, 2016 (C)
Hili Perlson, “The 5th Moscow Biennale for Young Art Announces Bold List of Participants”, New York: Artnet News, 2016 (A)
Andrew Nunes, “Finally, the Art World Gets a Bootleg Video Store”, New York: The Creator’s Project, 2016 (A)
Kari Adelaide, “Highlights from NADA New York 2016”, New York: Huffington Post, 2016 (A)
William J.Simmons, “10 Picks from NADA 2016”, New York: Interview Magazine, 2016 (A)
Brian Boucher, “11 Booths I could hardly tear myself away from at NADA New York”, New York: Artnet News, 2016 (A)

2015

Paddy Johnson “Kunstraum by the Navy Yard", New York: Art F City, New York, 2015 (A)
Cait Munro, “Emma Sulkowicz to Show Drawings in New Feminist Exhibition", New York: Artnet, New York, 2015 (A)
“Das Münchner Wochenende - Wenn die Musen durchmachen”, Munich: Süddeutsche.de – Kultur, Munich, 2015 (A)
“Bilder, die bewegen- Das Festival Kino der Kunst zeigt Filme Bildender Künstler an verschiedenen Orten”, Munich: Süddeutsche.de – Kultur, Munich, 2015 (A)
“Surreale Schwerelosigkeit: Nadja Verena Marcin“, Munich: In München – Das Stadtmagazin, Munich, 2015 (A)
“Kino der Kunst”, Munich: EIKON Süd GmbH / KINO DER KUNST, Munich, 2015 (B)
Claude Lorent, “Le fruit trop savoureux du jardin d’Eden“, Namur: La Libre Culture, Namurs, 2015 (A) “Le Fruit defendu“, Namur: Capital, Namurs, 2015 (A)
John A.Parks, “Universal Principles of Art: 100 Key Concepts for Understanding, Analyzing, and Practicing Art”, Beverly: Rockport Publishers, New York, 2015 (C)

2014

Lotte Allen, “Stand-In: Self & Subjectivity as Performing Artist”, Participatory Research & Social Inquiry, New York: The New School (A)
“Schwerelos über den grossen Teich”, Unna: Hellweger Anzeiger (A)
Dominik Pieper, “Kunst kommt in der Kiste über den grossen Teich”, Unna: Hellweger Anzeiger (A)
Dominik Pieper, “Grosses Renommee öffnet Kunstverein neue Türen”, Unna: Hellweger Anzeiger (A)
“Residentes Marcin y Roeb exponen en galería Kiosko”, Santa Cruz: El Deber (A)
Ryan Wong, “A Teacher’s Guide to the Last Brucennial”, New York: Hyperallergic (A)
Michael Miller, “Ladies’ Night: On the BHQF’s Record-Breaking Last Brucennial”, New York: Gallerist NY (A)
Carmel Melouney, “Women’s Artwork a Focus at the Last Brucennial”, New York: Metropolis - Wall Street Journal (A)
“Photos: The Last Bruciennale”, New York: theblaaahg, 2014 (A)
Peter Gregorio, “VECTOR 3”, New York: VECTOR (B)
Oscar Laluyan, “PICTURE THIS: Awesome and Nothing to Fear”, New York: Artefuse, 2014 (A)
Helga Marsala, “Un progetto del collettivo SANE da TEMP Art Space, a New York. Da Andy Hope 1930 a Björk, esplorazioni tra mitologie, conflitti e storie di ambiguità”, Milan: Artribune, 2014 (A)
Sarah Corona, “FEARFULAWESOME - Ecstasy, death and rebirth of a male painter. {TEMP} Art Space, New York”, USA/ Budva: Wallstreet International Magazine, 2014 (A)

2013

Laurence Rickels, “Before the Middle Gate”, Berlin: Texte zur Kunst, 2013 (A)
Sarah Corona, “L’arte senza Gravita”, Budva: Wallstreet International Magazine, 2013 (A)
“Middle Gate Geel 13”, Brussels: Agora/Tempus, 2013 (C)
“Coup de Ville”, WARP, Sint Niklaas: WARP, 2013 (C)
Ashli Molina, “Artist Nadja Verena Marcin Travels to Florida to Recite Nietzsche in Zero Gravity”, Miami: Miami New Times, 2013 (A)
Ralph Wilms, “Filmstiftung NRW fördert Nadja Marcin’s Videokunst”, Dorsten: WAZ, 2013 (A)
Jennifer Kabat, “The dream of the 90S: Where did all the anger go? 1993 at the New Museum”, The Weeklings, 2013 (A)
Peter Friese, “Preis für Kunst und Sprache”, Unna: Kunststiftung Sparkasse Unna, Apr 2013 (A)
“Sprache als Kunst”, Unna: Hellwegeranzeiger, Apr 2013 (A)
Sarah Corona, “The Last Mohican“, Sarahcrown.com, 2013 (A)
Sarah Corona, “The Wonderful World of Nadja Verena Marcin“, Sarahcrown.com, 2013 (A)

2012

Katy Diamond Hamer, “80WSE presents: Annual Group Show”, Eyes-Towards-The-Dove, 2012 (A)
Tilman Abegg, “Die Gefahrensucherin”, Dortmund: Ruhrnachrichten, Nov 2012 (A)
Katharina Werneke, “Film ab für irritierende Momente”, Die Glocke, Nov 2012 (A)
Katharina Werneke, “Bus als künstlerische Bühne”, Die Glocke, Nov 2012 (A)
Wilhelm Dick, “Unbehagliche Unterhaltung”, Rheda-Wiedenbrück/Harsewinkel, Nov 2012 (A)
Marion Gay, “Aktionskünstlerin Nadja Verena Marcin in Dortmund”, Hamm: WA.de, Nov 2012 (A)
“Stern der Woche für die Werkstatt Bleichhäuschen in Rheda-Wiedenbrück”, Neue Westfälische, Nov 2012 (A)
“Schloss Rheda ist Station der Reise nach Ägypten”, Neue Westfälische, Nov 2012 (A)
“Verstörende Karikaturen der Widersprüchlichkeit”, Münster: Westfalium, Nov 2012 (A)
Ralph Wilms, “Im Hightechbus nach Ägypten”, Marl: WAZ, Nov 2012 (A)
2.Ruhrbiennale, Duisburg: ”Aorta Kunst & Kulturverein”, Jul 2012 (C)
”Month of Performance Art”, Second Edition, Berlin: MPA-Berlin, May 2012 (C)

2011

”German Photography Now - Emotion, Drama and Narration in the stylistic variety”, Seoul: Jinsun Gallery, Oct 2011 (C)
Ruth Reader, ”WE ARE: Cash, Guns, and Feminism”, Brooklyn: Bushwick BK, Aug, 2011 (A)
”WE ARE:...”, New York: Nuture Art, Jul 2011 (C)
Greta Gesenberg, “Hotel und andere Erzählungen”, The-Solo-Project, Basel: Jens Fehring Gallery, Jun 2011 (A)
”The-Solo-Project – Solo Shows by 50 Selected Galleries”, Basel: The-Solo-Project, Jun 2011 (C)
Bettina Haiss, “Über die Sprachlosigkeit”, Lost of translation, Frankfurt: Jens Fehring Gallery, Jan 2011 (A)
Gail Victoria Braddock, “The days of this society are numbered”, New York: The Brooklyn Rail, Apr 2011 (A)
“Lost in translation”, New York: Art Agenda online, Jan 2011 (A)

2010

Keith Garth, “Zines, Zombies, and Rackets: Short-Term Deviation Opens at EFA”, New York: The Faster Times, Oct 2010 (A)
”USA/MFA@Bezalel”, Tel Aviv: Bezalel Academy, Jul 2010 (C)
”‚Qui Vive?‘ 2nd Moscow International Biennale for Young Art”, Moskow: Museum of Modern Art, Jul 2010 (C)
Sarvia Jasso, ”SCREENING/SALON/CABARET/DISCO”, Philadephia: ICA, Jun 2010 (B)
Georg Elben, ”Videoperformance- Modelle der Selbstbetrachtung”, Münster: AZKM, Jan 2010 (C)
”MFA Thesis Exhibition”, New York: The Leonard and Evelyn Lauder Foundation, May 2010 (B)
“German-born artist Nadja Marcin Wins Artist Business Career Development Grant”, ARTWORKinternational online, Santa Fe, Jan 2010 (A)
Eligijus Skirkevicius, ”Kauno Bienalé TEXTILE 09”, Kaunas: Kauno Dailiniku Paramos Fondas, Oct 2010 (B)

2009

Greta Gesenberg, ”Singing in the rain”, Kassel: Dok- und Videofestival, Nov 2009 (B)
Michael Klein, “Emotionale Gästebuch-Einträge zur Werkschau von Nadja Marcin”, Dorsten: Dorstener Zeitung, Jun 2009 (A)
Patricia König-Stach, “Ausstellung- Konfrontation mit Tabus”, Dorsten: WAZ NewMedia GmbH, May 2009 (A)
Michael Klein, “Nadja Marcins Konstante sind bewegte Bilder”, Dorsten: Dorstener Zeitung, May 2009 (A)
Greta Gesenberg, “Nadja Marcin – Confessions of a donkey”, Dorsten: Kunstverein Dorsten, Mai 2009 (C)
Katherina Schwarz, “Aktuelle Positionen in der Medienkunst”, Kassel: Arte.Fact online, Nov 2009 (A)

2008

“Nadja Marcin – Mediations Biennale”, Posen: Nationalmuseum, Oct 2008 (C)
“Meditation on Mediations— An East West Cultural Exchange: Dialogue, Misunderstanding, Growing Pains and an Evolution of Artists Before Egos”, Lodz: Artist Organized Art, Dec 2008 (A)
”FIFA 26e Festival pour film sur l’art”, Montreal: Festival International du film sur l’Art, Mar 2008 (B)
“Video Performance’: Mediale Authentizität - exhibitionistische Einsamkeit - ironische Intimität”, Münster: Echo-Münster online, Oct 2008 (A)
“European Attitude”, Bejing: Chinaculture.org network online, Jan, 2008 (A)

2007

Courtney Shermer, ”Shelf Life”, Los Angeles: Pawnshop Gallery, Dec 2007 (B)
”New Beijing International Film Festival”, Beijing: New Beijing International Film Festival, Dec 2007 (B)
”Asian European Mediations”, Posen: Stowarzyszenie Kontekst Sztuki, Jul 2007 (C)
Klasse Buetti, “Liebe. Freiheit. Alles,“ Münster: Kunstakademie Münster, Jun 2007 (B)
”Grosse Kunstausstellung”, München: Haus der Kunst, Apr 2007 (C)
Wolfgang A. Döllerer, ”Videonale 11”, Bonn: Videonale e.V., Mar 2007 (C)
”Blaue Nacht”, Nürnberg: Blaue Nacht, May 2007 (B)

2006

Greta Gesenberg, “Lend me your doberman” – Photography Now, Oct 2006 (B)
“19th European Media Art Festival“, Osnabrück: European Media Art Festival, May 2006 (B)
“Vorfahrt“, Stuttgart: Wolfgang Seitz, May 2006 (C)
“Through the looking glass – Große Kunstausstellung“, München: Haus der Kunst, Apr 2006 (C)

2005

Nadja Ismail, “Videonale 10”, Bonn: Videonale e.V., Mar 2005 (C)
“ADOKunstpreis 2005- Art meets drapery”, Aschendorf: Ado Gardinenwerke, 2005 (C)
“Suess/Sauer angemacht”, Gütersloh: Gütersloher Zeitung, 2005 (A)
“Losing Virginity”, Dresden: Deutscher Jugendvideopreis, May 2005 (B)
“Bauhaus goes SO36”, Weimar: Bauhaus University, 2005 (C)

Teaching

Kunstraum LLC, Artist Hub/ Gallery, CEO/Founder, New York, USA, 2015- ongoing
Adjunct Faculty, Video & Performance Art, P.I. Arts Center, New York, USA, 2015- ongoing
Lecture/ Studio Visits, MFA in Digital and Interdisciplinary Art Practice, City College of New York, New York, 2012
Lecture/ Screening, MFA for Performance and Interactive Media Arts, Brooklyn College, New York, 2011

Artist Lectures

Franklin Furnace Grant Ceremony, Pratt Institute, New York, USA, 2016
Artist/ Curator Talk with Jürgen Dehm, Galerie Esther Donatz, Munich, Germany, 2015
Artist Roundtable “Perspektiva Feminina”, GOETHE Center, Santa Cruz de la Sierra, Bolivia, 2014
Artist Talk Q&A with Susanne Boswell, 532 Gallery Thomas Jaeckel, New York, USA, 2013
Artist Lecture, MFA in Digital and Interdisciplinary Art Practice, City College of New York, New York, USA, 2012
Artist Talk Q&A with MFA students from Artcritic & Curatorial Studies of Ruhr University Bochum, Dortmunder Kunstverein, Dortmund, Germany, 2012
Artist Talk Q&A, ZKM- Center for Art and Media, Karlsruhe, Germany, 2012
Artist/ Curator Panel, Christie‘s Education, New York, USA, 2011
Artist Lecture, Performance and Interactive Media Arts graduate program, Brooklyn College, New York, 2011
Salon - Artist Lecture, ISCP International Studies and Curatorial Program, New York, USA, 2010
Artist Lecture “Videoperformance – Models of Self-Reflection”, Vytautas Magnus University Art Gallery 101, Kaunas Lithuania, 2009
Artist Talk, Biennial Hotel Reval Neris, Kaunas, Lithuania, 2009

Commissions

New Cube, live performance as part of ‘Seminar: Open House’, Denniston Hill, Glen Wild, USA, 2017
La Mujer II, live performance, Centro Patino, Cochabamba, Bolivia, 2016
La Mujer, live performance, GOETHE Center, Santa Cruz de la Sierra, Bolvia, 2014
Zero Gravity, video/performance, Coup de Ville, WARP, Sint Niklaas, Belgium, 2013
Nadja By Breton II, live performance, Middle Gate Geel’13, Geel, Belgium, 2013
Reise nach Ägypten, video/ performance, Dortmunder Kunstverein/ Skulpturenmuseum Glaskasten Marl/ Werkstatt Bleichhäuschen, Germany, 2012
King Kong Theory 1977, live performance, Tina B.Festival, Prague, Czech Republic, 2012
Love’s Surrogates II, live performance, Elizabeth Foundation, New York, USA, 2010
Are you lonesome tonight, video-/live performance, Kaunas Biennale, Kaunas, Lithuania, 2009
Marriage with a Donkey, video-performance, Kunstverein Dorsten, Germany, 2009

Jury Participation

Transmission Festival, Karlsruhe/ Berlin, Germany, Prize of the Jury, 2017
SOHO20 Gallery, Brooklyn, USA – Jury for the annual open call for solo shows at the +/- Project Space, 2017
Kunstraum LLC, Brooklyn, USA – Jury for the annual open call for exhibition proposals, 2016
Columbia University, New York, USA - Jury for the Admissions Committee for New Genre/ Sculpture, 2009

Exhibitions/ Screenings Curated

Space Odyssey – beyond Material Confinements, Radiator Gallery, Brooklyn, USA, 2017
Video Shop, NADA Art Fair, Kunstraum LLC, New York, USA, 2016
7 Women 7 Sins, Kunstraum, Brooklyn, New York, USA, 2015
F E A R F U L A W E S O M E - Ecstasy, death and rebirth of a male painter, TEMP Art Space, New York, USA, 2014
Lost in translation, Jens Fehring Gallery, Frankfurt, Germany, 2011 (screening)
Videoperformance- Models of Self-Reflection, Kaunas Biennal, Kaunas, Lithuania, 2009 (screening)